eternal sunshine of the spotless mind online

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Throughout the genre of typical Hollywood films, the scenes would not appeal as much and have such recognisable symbolism, as Art house Cinema’s genre permits to give as much symbolism to the audience as possible, just like an art painting, there must be symbolism to the painting or it will not have its own individual theme. For example, throughout the memories of summer, Clementine’s hair was Tangerine and brightly coloured, as summer is bright, and the scene appears to have a lot of brightness. Another important use of recognised symbolism was throughout the entire subconscious mind of Joel, in which Clementine’s hair was the colour set of the season. The use of sand throughout the erasure of Joel’s memories of Clementine reflects upon the Storyline as its constant use of sand in the scenes symbolise Joel’s memories of Clementine are literally slipping through his mind just as sand slips through an hour glass. Eternal Sunshine of the Spotless Mind uses many scenes with critical symbolism, such as the use of sand. Within most Hollywood films, scenes are set to suit to the stereotypical genre. The symbolism Gondry has created throughout the film would not usually relate to the conventional Hollywood films. Art house Cinema is a genre in which specific events occur without reason throughout the many films of Art house, and in which are never explained throughout the entire film.

The unusual layout of the scenes were arbitrarily set in a way which confuses the viewer and puzzles their mindset on the events occurring throughout the movie. According to the end credits, Eternal Sunshine of the Spotless Mind was filmed in and around Brooklyn, Manhattan, Montauk, Mount Vernon, Wainscott, and Yonkers, New York and also in Bayonne and West Orange in New Jersey. Other effects used were in-camera tricks of the eye and lense of the camera used. The director chose to make the film in a non-chronological order, with many of the more imaginative sequences being set deep in Joel's mind, as he invades his own memories to keep them from slipping away. In the scene where Joel is under the table, in discussion of Joel and Michael Gondry, the table was set up to be heighted differently, and furniture was made larger towards the back of the set to give the effect that Joel was miniature. Gondry filmed in a near-documentary style, giving a large range of camera angles. Typical Hollywood films are limited in their use of camera angles to suit the scene, genre, and storyline, whereas Art house films are unrestricted with plenty of variety of angles, shots, and scene layouts. Order custom essay Eternal Sunshine of the Spotless Mind As he undergoes the process, he realises he wants to keep his recollections of Clementine and subconsciously avoids the erasure of Clementine from his memory. When Joel learns this, he makes his way to the memory erasing company Lacuna Inc.

Eternal sunshine of the spotless mind online free#

The storyline basis begins with Joel suffering with a heavy break-up with Clementine, a dysfunctional free spirit who decides she wants to erase every memory of her and Joel together. The title is taken from the poem Eloisa to Abelard by Alexander Pope, the story of a tragic love affair, where forgetfulness became the star's only comfort. Michael Gondry’s Eternal Sunshine of the Spotless Mind was released on March the 19th 2004 in North America with a production budget of $20 million and grossed over US $70 million worldwide. The tale of Joel and Clementine in the film Eternal Sunshine of the Spotless Mind shows the director Michael Gondry’s ability to withhold the events of a unique romance and shape it into a genre of Art house through its representations and languages. Unlike Hollywood cinema, Art house uses a unique strategy of capturing the audience by crossing boundaries and making the basis of the storylines harder to predict, leaving the audience puzzled throughout, and usually after the film has ended.

Art house film’s individuality of filming is targeted at a smaller market audience. W Griffiths’ (David Llewelyn Wark) film, Intolerance (1916) encouraged the beginning of a unique genre of filming Art House. Throughout the many genres of filming, D.